The Hidden Lives of Brahman by Dubois Joël André-Michel & Christopher Key Chapple
Author:Dubois, Joël André-Michel & Christopher Key Chapple [Dubois]
Language: eng
Format: epub
ISBN: 9781438448077
Publisher: SUNY Press
Published: 2013-10-30T05:00:00+00:00
The syntax here resembles that used to convey the rice husking analogy of TUbh 2.2. Identical case endings and alliterative parallels underscore the simile between the divided-up (vyÄká¹tasya) world and the tree (vá¹ká¹£asya). The final statement, which once again interprets the intent of the upaniá¹£ad, underscores both conceptually and rhythmically that this saá¹sÄra-vá¹ká¹£aḥ (âtree of cycling [from birth to birth]â) is karma-bijo (âwhose seed is activityâ) and avidyÄ-ká¹£etro (âwhose field is blindnessâ). Åaá¹ kara here analytically discerns the root of saá¹sÄra and definitively urge its removal; what standard translations miss is the rhythmic juxtaposition of the three compounds, underscoring the persistent effort needed to uproot of the sprout of that vast world-tree from which the disenchanted person yearns to be released.
Immediately following the grammatical analysis of the pronouns âthat,â âthis,â and the verb âdivided-upâ in the upaniá¹£ad's first line, described in chapter 5, Åaá¹ kara adds another complementary, mutually restricting analogy that draws attention to the subtlety of (iii) brahman's connection to (iii) samsÄra, which links (i) avidyÄ to the concept of âname-and-shape.â (The (ii) disenchanted person is not explicitly mentioned in the above discussions, but his yearning for release is the implied impetus for discerning the precise relationship between avidyÄ, saá¹sÄra and brahman.) The logic of his statements are clear; but what standard translations once again miss is the structure of his syntax, which seems to mimic the five-fold diversity of the BU 1.4's own imagery. BU 1.4.7's next statementââhe who is this [primordial entity] entered26 here [into the body] up to the very nail tipsââimplicitly links the undivided entity (a-vyÄká¹tam), now divided simply by name-and-shape (nÄmarÅ«pÄbhyÄm eva) in the multiplicity of this world, to the vital presence within each embodied being. In transitioning to his gloss of this sentence, Åaá¹ kara strings together five clauses syntactically linked to the subject of the sentence, the pronoun sa (âheâ), which summarize the features of this abstract primordial entity. The number of parallel clauses here may mimic the five variations on the phrase âin the beginning this [world] wasâ¦,â which likewise all refer to the same primordial entity.
yad-arthaḥ sarva-ÅÄstrÄrambho
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